Scholarly books are written for scholars/researchers in the author's field and are typically intended to share research findings and contribute to the ongoing scholarly conversation.
The Cancel Culture Panic
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Fear of cancel culture has gripped the world, and it turns out to be an old fear in new get-up. In this incisive new work, Adrian Daub analyzes the global spread of cancel culture discourse as a moral panic, showing that, though its object is fuzzy, talk of cancel culture in global media has become a preoccupation of an embattled liberalism. There are plenty of conservative voices who gin up worries about cancel culture to advance their agendas. But more remarkable perhaps is that it is centrist, even left-leaning media that has taken up the rallying cry and really defined the outlines of what cancel culture is supposed to be. Media in Western Europe, South America, Russia and Australia have devoted as much--in some cases more--attention to this supposedly American phenomenon than most US outlets. From French crusades against 'le wokisme' via British fables of the 'loony left', from a German obsession with campus anecdotes to a global revolt against 'gender studies': countries the world over have developed culture war narratives in conflict with the US, and above all its universities -- narratives that they themselves borrowed from the US. Who exactly is afraid of cancel culture? To trace how various global publics have been so quickly convinced that cancel culture exists and that it poses an existential problem, Daub compares the cancel culture panic to moral panics past, investigating the powerful hold that the idea of 'being cancelled' has on readers around the world. A book for anyone wondering how the United States' institutions of higher learning have become objects of immense interest and political lightning rods, not just for audiences and voters in the US, but worldwide
Building the Black City
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A new way of seeing Black history--the sweeping story of how American cities as we know them developed from the vision, aspirations, and actions of the Black poor. Building the Black City shows how African Americans built and rebuilt thriving cities for themselves, even as their unpaid and underpaid labor enriched the nation's economic, political, and cultural elites. Covering an incredible range of cities from the North to the South, the East to the West, Joe William Trotter, Jr., traces the growth of Black cities and political power from the preindustrial era to the present. Trotter defines the Black city as a complicated socioeconomic, spiritual, political, and spatial process, unfolding time and again as Black communities carved out urban space against the violent backdrop of recurring assaults on their civil and human rights--including the right to the city. As we illuminate the destructive depths of racial capitalism and how Black people have shaped American culture, politics, and democracy, Building the Black City reminds us that the case for reparations must also include a profound appreciation for the creativity and productivity of African Americans on their own behalf. Cities covered: Charleston, Savannah, New Orleans, Washington, D.C., Baltimore, Richmond, Birmingham, Durham, Atlanta, Houston, Miami, Tulsa, early New York (New Amsterdam), Philadelphia, Boston Chicago, Detroit, Milwaukee, Cleveland, Cincinnati, Pittsburgh, San Francisco Bay Area, Los Angeles, and Seattle
Popular books are written for a general audience and are usually intended to entertain. These books can be seen as casual or recreational reading: they can still be informative and educational, but the target audience is very broad.
We Have Always Been Here
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A queer Muslim searches for the language to express her truest self, making peace with her sexuality, her family, and Islam. Growing up in Pakistan, Samra Habib lacks a blueprint for the life she wants. She has a mother who gave up everything to be a pious, dutiful wife and an overprotective father who seems to conspire against a life of any adventure. Plus, she has to hide the fact that she's Ahmadi to avoid persecution from religious extremists. As the threats against her family increase, they seek refuge in Canada, where new financial and cultural obstacles await them. When Samra discovers that her mother has arranged her marriage, she must again hide a part of herself -- the fun-loving, feminist teenager that has begun to bloom -- until she simply can't any longer. So begins a journey of self-discovery that takes her to Tokyo, where she comes to terms with her sexuality, and to a queer-friendly mosque in Toronto, where she returns to her faith in the same neighbourhood where she attended her first drag show. Along the way, she learns that the facets of her identity aren't as incompatible as she was led to believe, and that her people had always been there -- the world just wasn't ready for them yet.
Best. Movie. Year. Ever
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From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999--arguably the most groundbreaking year in American cinematic history. In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don't Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits--and took audiences along for the ride. Freed from the restraints of budget, technology (or even taste), they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple's Airport; Wi-Fi; and Netflix's unlimited DVD rentals. Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It's the definitive account of a culture-conquering movie year none of us saw coming...and that we may never see again.
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